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Bloodhounds Tuscan OLD POWER PLANT ... in Vittoria, Vittoria (RG)

Art of the twentieth century in the name of art today. The 'leitmotiv 'and' the happy title of the famous book by Curzio Malaparte. Works by Pietro Annigoni, Antonio Bueno, Xavier Bueno, Massimo Campigli, Mino Maccari and many others. Edited by Joan M. Carli.

by Giovanna M. Carli

In the spaces of the hall of Victoria Mazzone, a cultural recovery of an old power station, is on display at a rich representation of the twentieth century Tuscan painter and contemporary masters. This collective was conceived and organized by the Lions Club of Victoria through the collaboration of the English Art Gallery of Florence and the City of Victoria and in particular the Culture Luciano D'Amico, and the critical and curator Joan M. Carli. In the year when we celebrate the 150th anniversary of the unification of Italy Italian Lions also committed themselves to honor this milestone and the Constitution of our Republic. On this occasion the 'leitmotif' is the happy title of the famous book by Curzio Malaparte, "Cursed Tuscans", the same as for the opportunity to land in Vittoria, Sicily, in the sign of the unity of peoples and nations through the 'art and culture of today is the twentieth-century and contemporary.

by the critic Joan M. Carli

... The most dated by Pietro Annigoni, dating back to the thirties. The author is a maverick, is against any form of totalitarianism, undertook to assert its vision of painting in relation to society. Its history is intertwined with two other players, including their adoption of Tuscany, Xavier and Antonio Bueno. Annigoni will conclude in 1947 with his brothers and Bueno Sciltian the Manifesto of "Modern Painters of Reality" which, for lack of understanding at various levels, short-lived. I am interested, however, mention the substance of the program group that wanted to do and show: "... a painting in one of the darkest moments in human history is steeped in the faith in man and its destiny, which made the greatness of art in the past ... we simply continue to carry out the mission of true ...". A real painting restorer orthodoxy, while the new currents of art indicated in the informal the path of renewal. The works shown by Mino Maccari, Ottone Rosai, Ardengo Soft are the years 1945-1947, paradigmatic works as designed in the years immediately following the end of World War II.

There are, however, even works of the Sixties signed Annigoni, Xavier and Antonio Bueno, Campigli and Maccari. paradigmatic works of a decade that has led to important a generational revolution, changing lifestyles and attitudes: the beat generation, music and pop culture, the great cultural revolution of '68. One wonders about the function of the artist, is a blow to the concept of art itself. The small retrospective of the works of the twentieth century culminating in a work of Mino Maccari eighties. The inclusion of this figure versatile, imaginative, humorous, is a bridge between Rosai and powerful and, therefore, in our simplification, a hinge between the painters of the twentieth century and the painters of today. With Ottone Rosai, Maccari shares the commitment to the magazine "The Wild One," when the address of that he moved to Florence, but especially when the magazine, from the start openly fascist and anti-bourgeois intransigent, turns up more cultural content sealed bottom of the article of Mino Maccari "Farewell to the past": from that moment on plans to address the political laughter, satire and, most important, art. Antonio Possenti happens, however, Mino Maccari in the pages of "The World" as a satirical cartoonist. This is touched by the twentieth century Tuscan avant-garde and the current abstract and informal, never fails to past the Renaissance, to the formal care for the grace, proportion, beautiful manner. That is the lesson that enters the new millennium with the representatives of the art of today and is opposed to some schematics where to be present, it seems only right to deny the past.

Artists exhibited: Peter Annigoni, Antonio Bueno, Xavier Bueno, Massimo Campigli, Mino Maccari, Ottone Rosai, Ardengo Soft, Luca Alinari, Claudio Cargiolli, Fabio Calvetti, Claudio Cionini, Marco Civai Giuliano Giuggioli, Andrea Mancini, Paolo Nuti, Antonio Possenti, Lisandro Ramacciotti, Andrea Stella, Angiolo Volpe

opening hours February 26 18:00

Former Power Station

square Enriquez - Vittoria (RG)

Opening hours: daily 09:30 to 14:00, 17:00 to 20:00

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Moira Ricci and Amir Yatziv LAVERONICA CONTEMPORARY ART, Modica (RG)

Research of the two artists in the same border area that separates the real from the realistic. Both feed the doubts of the vision by presenting true facts but ambiguous situations alongside fictional but apparently true. Moira Ricci's work is distinguished by an intimate approach to biographical data, Amir Yatziv highlights the unpredictable place in situations that generate real paradoxical consequences.

by Gabi Scardi

Saturday, February 26, 2011 LAVERONICA contemporary art presents Moira Ricci / Yatziv Amir, a double solo show curated by Gabi Scardi .

The search for the artists takes place at the same border area that separates the real from the realistic. Both feed the doubts of the vision by presenting true facts but ambiguous situations alongside fictional but apparently true.

Moira Ricci's work is distinguished by an intimate approach to the biographical data. At 20:12:53 to 10:08:04 (2004 - in progress), the artist recounts his family lived opening considerations in terms of universal suffering and daily life. Designed and carried out after the sudden death of his mother, whose date of birth and death give the title work, the series follows the course of processing, the attempt to rewrite the private and intimate relationship between mother and daughter. Manipulating a large number of photographs of her mother, Moira Ricci put his image as if it had always been there to watch with loving eyes on the woman. On these simple, everyday images, taken from the album memories of family, the intervention has shaped the nostalgia, the sense of loss as well as the desire to recover the continuity of personal history.

Amir Yatziv highlights the unpredictable activities that may occur in real situations by generating tangible consequences and paradoxical. In the slippage of meaning found in a few moments, the artist shows some of the dynamics of the collective history and their possible ideological significance. One of the phenomena recently investigated by the artist is that of "war games", recreational activities for team-based simulation of military tactics. For two years, from 2008 to 2010, Yatziv training and participated in the battles of these groups, a bullet hits the ceramic powder, tablet, facing each mimicking a surreal war. Made in the forests of Europe between Poland, Russia, Czech Republic and Sweden, the video Antipodes (2010) documents the incredible battle between the Wehrmacht, the German armed forces of the Third Reich, and the IDF, the army of Israel.

Moira Ricci / (Orbetello, Grosseto 1977) lives and works in Milan and Grosseto. Solo Exhibitions: From darkness to darkness, curated by Andrea Lissoni, Art Pavilion Contemporanea, Ferrara (2009), Interfuit, edited by Emanuela De Cecco, Galleria Artopia, Milan (2006). Group Exhibitions (selected): Sehnsucht - A video and film screening, Uqbar Project Space, Berlin (2010), Nothing to see everything from live, School of marble, a parallel event of the XIV International Sculpture Biennale di Carrara, Carrara (2010), Manipulating Realty. How images redefine the world. Palazzo Strozzi, Florence, (2009), yet it moves, Palazzo Re Rebaudengo Guarene D'Alba, Palazzo Ducale in Genoa, (2009), Horse Pistes 2009, Centre Pompidou, Paris (2009), Third Italian landscape photography today, Civic Gallery of Modern Art in Gallarate, Gallarate (2009), A snake on a tree, White Box, New York, (2008), Location1 project's room, Location1, New York, (2008), Invisible Miracles, shows the end of the course, XIII Advanced Course in Visual Arts Fondazione Antonio Ratti, Viafarini, Milan , (2007), photocells, The Italian Cultural Institute, London (2005), Visions from within. Live, the voices of the artists, the premises projects, Fondazione Sandretto Re Rebaudengo, Turin, (2004).

AMIR YATZIV / (Karmiel, Israel, 1972) lives and works in Tel-Aviv and Berlin. Solo Exhibitions: Antipodes, Ramat-Gan Museum of Art, Tel-Aviv (2010), Arbeit Macht Frei, Appendix2 Gallery, Warsaw (2010). Group Exhibitions (selected): OVERVIEW, 2000-2010 Israeli video, Haifa Museum of Art, Haifa (2010), TATE FILM, Trembling Time: recent video from Israel, Tate Modern, London (2010), RE-CONSTRUCTIONS Film program, Van Abbemuseum, Eindhoven (2009), Evil to the Core, The Israeli Center for Digital Art, Holon (2009), Video Zone 4, Video Biennale, Tel-Aviv (2008), Estampa, 2008, video art program "Tribal Fire", Madrid (2008).

Opening: Saturday, February 26, 2011, at 21

Laveronica contemporary art

via Grimaldi, 93-Modica (RG)

Gallery Hours: Tuesday to Sunday 15:00 to 22:30. After hours by appointment

Free admission

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Roberto Caielli GALLERY FIAF, Valverde (CT)

time home Colombo. The exhibition presents a series of photographs scatatte in an afternoon spent in the home of a small town of Varese, once inhabited by the painter Adelio Colombo.

Friday, February 25, 2011, at 20.00, in the presence of the author will Staff inaugurated the Photo Exhibition of Robert Caielli of Davenport (VA), titled "Time at home Colombo - The prints of Robert Caielli" at the FIAF Gallery - The Crane (Corso Vitt. Emanuele, 214) to Valverde (CT). The shows will be presented by Joseph Fichera, president of The Crane Group Photo, Enzo Gabriele Leanza (National Council FIAF) and the Holy Mongioì (Director of Gallery and DR FIAF FIAF) and the same will be open every Monday and Friday until March 7 2011 hours from 20 to 21.30.

WEATHER IN HOUSE COLOMBO prints of Robert Caielli

I do not believe in ghosts, in the Anglo-Saxon sense of a physical presence in the daily reality of unreal entities. But I believe that sites retain the memory of experiences, and the ghosts with which we live are the memories that remain stuck there for things their shadows. For this, photographing Colombo home, I had the feeling of chasing the ghosts of a very ordinary place, a house that may be to anyone. And where, as in the homes of anyone, plus the overlapping temporal planes and the experiences. It 'a leopard evoke the memory and almost involuntary part of the cyclic and perpetual motion of human nature, which is discarded in accordance with rules and misunderstood.

photos that make up the exhibition are photographs of the sign an afternoon spent at Columbus, a regular house in a small town of Varese, Davenport, once inhabited by the painter Adelio Colombo and now by his daughter Joan.

My challenge was to photograph the time of the house and objects, not their being in themselves, their fixity so to speak in a moral space, but they spend time together, as if the everyday objects were animated and floating. From a strictly technical point of view, the solution offered her the means, the camera. I thought the idea of \u200b\u200btime that builds all of our perception has become "the second" and I decided to set up a second nell'otturatore anytime, regardless of the subject or shooting conditions, and photographed by hand. The pictures came out blurry, overlapping planes, shades and walls full of signs, their faces disfigured in the features, objects no longer significant because of their being such, but called in a fluctuating situation. In this sense photography home Columbus was an experience of a philosophical and conceptual use of the instrument, and not just representative and even personal aesthetic or evocative of strange visions of things, it gives me great value and allows me to conceive photography as a very mobile and very open space.

(Roberto Caielli)

Opening: Friday, February 25, 2011, at 20

FIAF Gallery

Corso Vittorio Emanuele, 214 - Valverde (CT)

every Monday and Friday from 20 to 21.30

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Joseph Adam ZELL CONTEMPORARY ART, Piero Guccione PALACE SANT'ELIA

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Show of the series' sketches bedtime ', designs made their bed under the covers, and a series of structured collage on old yellowed papers or so' veiled colors faded to appear opalescent.

By Guillaume Von Holden

The body of work of this new course of the research of Joseph Adam (Alcamo, 1982), is divided into two small blocks of narrative The first consists of a series of sketches bedtime " , drawings to read as the author calls them, methodically made his home into a stupor in bed, just before the lids covering the eyeball for some hours, and a structured series of collages on old cards now yellowed or faded so that they appear to be veiled opal color.

Man, every day, closes his eyes about 9600 times, and since, each time, the eyelids move approximately 0.6 cm, each year they account for more than fifty kilometers, a minimum displacement and absolutely stunning . And is 0.6 cm in those who seem to live the teeming figures of meticulous "bedtime sketches, drawings as intermittent flashbacks that seem to dissolve slowly not just open her eyelids.

The formal composition of the black stroke of a pen on paper a5, this Once innocent and not veered from the time, Adam develops a narrative circle, a loop, able to regenerate itself without interruption. In parallel, the long search of images from old magazines or medical textbooks, but flourishes in mild and delicate assemblies of pictorial cancellations through that seem to violate the milky screen printing. Small collage of scenes where ordinary loneliness flirt with deformities of nature, in an unknown world where the reset of all forms of communication is the only law incontrovertible.

Joseph Adam was one of the leaders of this team from Palermo to the different editions of the "Sweet Sheets," "Reduced Radical" at the Museo Civico di Castelbuono and "Off course / Off course" in China, both edited by Helga Marsala, and in 2006 for "nerves" at the Cantieri Culturali Zisa in Palermo.

Image: Joseph Adam, Bedtime Sketches, 2010

Opening: Friday, February 25, 2011 h.19.00

Zelle Arte Contemporanea Via Matteo Bonello, 19 - Palermo

times: Tuesday to Saturday from h.17.00 to h.20.00

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PALERMO, PALERMO

the monumental works. The exhibition brings together for the first time preparatory studies and the most 'important achievements in public Piero Guccione. Edited by Frank Gallo and Mario Ursino

by Francesco Gallo and Mario Ursino

Friday, February 25, 2011, the Province of Palermo and the Swan GG edition, presents the exhibition "Piero Guccione WORKS MONUMENTAL.

The exhibition, organized with the contribution of Fondazione Mediterraneo Rome, and set up inside the main floor of Palazzo Sant'Elia in Palermo, for the first time gathers together the preparatory studies and the most important achievements public Piero Guccione. This is the big oil, commissioned the artist by the then president of the Senate Marcello Pera, who stands in the Hall of Garibaldi Palazzo Madama in Rome, the so-called "transatlantic" of senators. The exhibition also features two blades that adorn the magnificent Chapel of the Baptistery of the official church of the Italian state, or St. Mary of the Angels and Martyrs in Rome, inaugurated by Antonio Paolucci, director of the Vatican Museums, who writes the work "is a masterpiece of this century should be able to use the figurative tradition with the same ease with which we use the literary language, a tool of communication that we know to have been built by Dante and Petrarch and Bembo by Manzoni and yet we need to express ideas and values, feelings and passions of our time. This is the difficult path he has chosen to walk Piero Guccione, in dealing with religious subjects. The risky operation, on the verge of rashness, yielded fascinating results. "

Finally, the work commissioned by the Region to celebrate 150 years of Italian unification and independence, located in the hall of the Palazzo Abatellis Triumph of Death is ideally part of this process, which should link to just Palazzo Sant'Elia Sicilian Regional Gallery. This exhibition comes to understand how Guccione These monumental canvases to paint, with the exposure of the preparatory studies. It is also interesting because it can be seen, for example, the canvas of the Senate Guccione has used the creation of a recording on which he then battered the different variations that will deepen, and the work of building has been designed with Abatellis a work on canvas, of momentum.

Of great interest also display magnification of the places where he paints Guccione, and the artist himself, with various characters who frequent it. The exhibition is curated by Francesco Gallo Mazzeo, critic and professor of art history at the Academy of Fine Arts in Rome and Mario Ursino, Vice Superintendent of the National Gallery of Modern Art in Rome. Inauguration of the President of the Province of Palermo, Giovanni Avanti and Alderman Regional Cultural Heritage and Identity of Sicily, Sebastiano Missineo.

Communication and Press Office

Cassata Maria Letizia Via dei Pettinari, 81 Rome
mlc.comunicazione
@ gmail.com Tel / Fax 06 97614423 Mob
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+39 3389701502
February 25, 2011 Opening hours 20

Palazzo Sant ' Elijah
Via Maqueda, 81 - Palermo
Daily 10:30 to 13:30 and 16:30 to 19:30 Saturday afternoons and Sundays Admission free

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Vito Stassi CLOUD ENCOUNTERS OF ART, PALERMO

Phalaenopsis. Pencil drawings, oil paintings on paper and oil paintings. Quiet furnished interiors, bereft of human presence, and delicate portraits post-mortem, taken from a collection of vintage photographs.

Clouds Gallery opens an exhibition of Vito Stassi which presents a selection of thirty drawings in pencil and oil on paper, painted canvas and some oil produced in the last two years. It is furnished mostly in quiet interiors, bereft of human presence, and delicate portraits post-mortem, taken from a collection of vintage photos. The collected works are exhibited in rooms on the first floor of the Gallery in order to emphasize an intimate and quasi-private: the lights dimmed, the chance to see works from different perspectives and to discover her, almost, after their own thoughts allow to approach with due discretion in an exhibition at the same time mild and lasts .

Phalaenopsis

The title is already a clue: the name may seem like a butterfly and instead is a botanical term which refers to a flower and literally means similar to the butterfly then the illusion that here is an illusion of life is the key to understanding the proposal shows and message Stassi that "with the care and dedication of the entomologist - writes Giuseppe Diana - pierces through the thin needles of its elegant graphic, faces lost, fragile as butterfly wings, return the viewer in a visual catalog for simplicity and purity of form that could be compared to a collection of haiku. "

Sure surprised the object and how to paint this young artist in a country that seems to only be able to make a din shouting vulgarities, Stassi is simply and naturally another way to talk about things that we hold very dear . What is new here?

Biography Vito Stassi was born in Palermo in 1980 and lives and works here. He studied at the Art School Eustachio Catalano and hence the Accademia di Belle Arti di Palermo. He has participated in several group exhibitions in Italy and abroad since dal2002. This is his second solo exhibition.

opening February 25 at 18.30

Clouds Meetings Art

Via Matteo Bonello, 21 - Palermo

Wed-Fri 17-20 or by appointment Free admission

Why Is The Alabama Helmet A Number?

Matteo Bergamasco WHITE CONTEMPORARY ART , PALERMO

Transparency without a name. Interior defrauded by the soul of those who lived them, where objects and places just abandoned by the existence, accept the viewer on a journey of memories and perceptions.

by Andrea Burned

On February 25, 2011 at 18:30 White Contemporary Art Gallery in Palermo is pleased to announce the first solo Palermo by the Milanese Matteo Bergamasco, winner of Liss 2002, Cairo 2003, and reduce the premium from the latest personal San Francisco, Los Angeles and Amsterdam, entitled "Transparency unnamed" by Andrea BURNED. A journey in pictures and feelings. Interior defrauded by the soul of those who lived them, where objects and abandoned places just existence, welcome the viewer on a journey of memories and perceptions. Matteo Bergamasco ten canvases painted for the occasion unprecedented, intimate portrayals of private spaces, looks to the spirit of things, visual glimpses into other people's reality. A sensitive description of what remains of the lives of others.

The exhibition titled "Transparency unnamed" tries to give a feeling, a state of being, a particular way of life to participate in the inexpressible in words, incommunicable and inseparable from the experience without it ... that's why "no name". Why no word and no concept sufficient to circumscribe what is by nature an intangible and ineffable. Are in fact the paintings and the silence which the true enjoyment of a painting to create groped almost tactile to communicate this feeling, this emotion-soaked thick and suspended but clarity. The paintings on display depict the interiors devoid of human presence, are then ready to accept a blank space, a space that gives the chance to swim in it almost like a womb for the perception, by doing so the viewer can also forget about everything and moving with the look of the forms: Hearing. This feeling is once you get the most precious gift to man, a gem that can be experienced in every moment of daily life in real situations, in the infinite work of art and creation. To emphasize this close relationship between the real and the situations depicted the painting are among the most common: an empty bed in the morning, a soft light coming through the window, the sun's reflection on a porcelain vase. Just what is closest and most intimate is the veil that separates them from understanding, but anything can become a wonderful gateway for those who found the key. This door opens onto a common time and without knowing the great civilizations that have deeply investigated the world. Various objects depicted in paintings in the exhibition which ritual utensils, masks and sculptures and divinity of essays emphasize the bridge that connects the many traditional knowledge. In addition there are often exposed in the works of canonical paintings with subjects (portraits, landscapes and still lifes). The game of mirrors that is created in the presence "of the painting in the painting" goes to question the laws of reality, representation and their levels deep and endless ... beyond the wildest of imaginations.

inauguration Thursday, February 25, 2011, 18:30

White Contemporary Art

Descent via San Domenico, 4 - Palermo

Open from Wed to Sat from 16:00 to 19:30

Free admission

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Birthday Invitation Decline

Soko Steidle Goethe-Institut (Cantieri Culturali alla Zisa) PALERMO

German Jazz Concert in the cycle

The Goethe-Institut Palermo and lower curve, with the support of Jazzwerkstatt Bundeskulturstiftung and Berlin (German Federal Foundation for Culture), comprises the first performance of Sicily, a concert by the group: Oliver Steidle, Rudi Mahall, Jan Roder and Henrik Walsdorff. "Through an innovative and fresh approach, free from the outdated conventions of jazz, musicians from experiences in the most 'different music genres (classical, jazz, rock, pop, folk), are oriented on the new routes of improvised music bringing into play its sensitivity 'individual and group. " From 21.30, free entrance.

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Bond Angle At The Central Atom Of Clf2-

Andrea Mangione - Gue ' Marco Mangione RICE - MUSEUM OF CONTEMPORARY ART OF SICILY, PALERMO

characters, signs, clues, leaving the frame atmosphere to sit casually on walls, windows and mirrors: BREVIDISTANZE is, the "dual personal" twins Andrea and GUE 'Marco Mangione, two young artists who are part of the SACS created by Rice, Museum of Contemporary Art in Sicily. The exhibition opens Thursday, February 24 to 18 in the Galleria di Palazzo Riso SACS (Corso Vittorio Emanuele 365, Palermo), where he remained until March 20.

Following Baronello Frederick, artist SACS Archives, will present Broken Fall. Rise and fall of art, John and Alexandra Iovane Peace, published by Silvana Editoriale.

canvas paintings, both oil acrylic, drawings on paper, video, animation and paintings on the wall: BREVIDISTANZE want to involve the viewer making contact not only with pictures but also with the ideas of two artists who work both individually and in pairs. Andrea Mangione's attention is focused on the spaces, both internal and external, investigated with a photographic eye slightly melancholy. They are pictorial scenes for the actions of people missing or glimpsed, glimpses of stories that involve open-ended, where space is critical to their evolution and reflects thoughts and emotions as possible. The summary of the section of the frame and cuts investigating the details of unnatural angles characterize the work of the GUE on canvas' Marco Mangione who is the originator of pupa, a girl-woman character in the original confident, that behaves in a playful and carefree, but the discovery of life already has heard from a person's world.

Broken Fall. Rise and Fall of John Iovane art and Alexandra Pace (Silvana Editoriale, 2010).

Fear of falling and getting hurt, getting lost and fail, modern and contemporary art experience fall becomes an intentional action that involves the artist's body and often the fate of 'image of the artwork. At the same time, fall is also linked to action painting, Proceedings implemented in the twentieth century up to all those works with falls or drips of color on surfaces placed on the ground and not attached to a wall. The book reflects on the condition of their fall work of art through a book for pictures and description. A fall that, since the beginning of the twentieth century, is revealed as a distressing and, together, brilliant strategy failed.

Rice Museum Press Office: 333.5289457

stampa.palazzoriso @ gmail.com

Inauguration Thursday Febbario 24 2011, ore 18

Museum of Contemporary Art in Sicily

Gallery SACS

Corso Vittorio Emanuele 365 - Palermo

Hours: 17-22 (Thursday and Friday), 17-20 (Saturday)

Free admission

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All AAMG ready for the birthday of Balsa

Birthday balsa, new event
all present, just over a hundred active
the studios will all be based on pork
we dine
also Pokotho
Priestess and hoping not to eat boiled meat.
I already know that the prodigal will Balsa guest
delicacies and drinks galore distribute
paying due tribute to the rental
Santuzza
presenting the offering of law because it is she who controls the house
otherwise the "spouse" under there. .. tabula rasa
like Bobbit
to her late husband who sings in the choir Institute contrite.
Great Day at the Grand Chamberlain
all against the wall, you never know ... anus ...
chocolate, rum and Cuban cigars
Let us take all the handful

birthday party and a planned trip to Lancianno (lic. poetry)

together at full gallop in great demand, I love Ciccocioppo!

AH ME HE JI

PS During the evening will be a minute's silence in memory of the tail of Ahmed gone to a better life. Ahmed himself has promised however to provide a gift certificate for a cut / crease at the show "Mon Amour" by The Lancianneuse Julienne (see photos on facebook to see the profile of Ahmed)

After Care Of Cervical Polyp Removal

"Narcos" THE GALLERY OF MARCO VERNASCA "GHIRRI" Caltagirone

Remeron And Metallic Taste

Yuriy Kovalchyk - MAGIC LANTERN GALLERY, PALERMO

My Carpathians. Landscapes of clouds, rocks, trees, waterfalls and horses. Man and 'absent in these prints, but its traces are visible from all sides. Edited by Vincenzo Mirisola.

by Vincenzo Mirisola

The "My Carpathians" is an original vision of the Ukrainian Carpathians through the lens of Yuriy Kovalchyk. Landscapes of clouds, rocks, trees, waterfalls and horses. Extraordinary pictures that look like ancient writing. Man is absent in these works, but its traces are visible from all sides. Some fine still lifes narrate the lives of the inhabitants of the Carpathians, as the old windows with curtains of tulle, behind which there is an alarm antediluvian with broken glass, a symbol of that time has stopped. On the walls of the houses of rural households are the faded photos with pictures of relatives living and dead. The photos also by the army farewell ceremonies, weddings and funerals. Some critics find similarities between these works and photos of the American genius Edward Weston.

Special work is a method of singular execution of the prints. Because of this reason his pictures look antique prints, engravings and watercolors. is a classic hand-made, with the prints pulled by hand on paper-based art of the major international manufacturers with the photographic emulsion prepared according to the recipe author. The method and mode of application of the emulsion are patented and have the original name of "emulsiografiya. it is impossible to do more than once the same picture: every picture is unique.

The author

Yuriy Kovalchyk is a famous Ukrainian photographer. was born in Lviv. Since 1998 he is member of the National Union of Ukrainian artists, photographers. From 2000 to 2010 is a member of the National Union of Ukrainian artists, photographers.

Since 2006 he is artistic director of the international creative "White Square". Since 2009, the Company's Chairman of Ukraine Photography Alternative (UTAF).

Yuriy Kovalchyk has participated in numerous group exhibitions in Ukraine and abroad. is one of the authors who created illustrations for the book "Rights of the Child" in 1995. He participated in the project International Insight. Ukrainian black and white photograph of the twenty-first century. " In 2008 he published an album with this title, which are also the work of Yuriy Kovalchyk.

In 2009, his photographs have been exhibited in the project "Insight. Ukrainian Photography: 1989-2009 "(Month of Photography in Bratislava, Slovakia).

Yuriy Kovalchyk is the inventor of "emulsiografiya. For this invention in 2006 received a national patent in Ukraine for the resolution photographic emulsion for printing and for projective application method and coating.

Many photo magazines have written about his creative activity. Among them: "Світло і тінь" ("Light and Shadow"), "Dfoto", "Digital Photographer" and other non-photographic editions.

The artist's works are preserved in private collections in Britain, the United States, Poland, Canada, Moldova and Ukraine. Are

Gallery Magic Lantern

Via Goethe, 43 - Palermo

Monday to Saturday at 16-19:30

Free admission

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Balsa Wood Bridge Project/competition

Piombinese CARNIVAL 2011 - March 6, 2011

Office Bldg Blueprints

GALA DINNER, DAY OF THE WOMAN AND TUESDAY 'GREASE - March 8, 2011

Want to celebrate the "Day of the Woman" in a fun and alternative?

're a masked group and look for a place to spend Mardi Gras in the fun?

simply want to spend an evening with friends without the hassle of cooking?

Tuesday, March 8 at the Pro Loco of the circus tent from 20:00 awaits the "Gala Dinner". Carefully prepared tables, a chef will delight your palate with a rich menu, Giusy Zenere There intratterà pulling more than a smile and orchestra "The Boomerang", to make you dance till late.

Places are limited and reservations are mandatory at 338 4640018 before 12 pm on 06 March (at the time of booking you can request a table for 10 people or 6.8).

- booking required -

ya there!!