Sunday, March 13, 2011

How To Fake An Abortion

AL Kenis - ENNA


Islands. Paintings''in which signs and colors that are not associated with composing a shape, line rhizomes air, panting nymphs, towers attached to specimens such as ramps heraldry of heaven or zoomorphic.''(Rocco Giudice)

Project by Nextl'ink

Text Rocco Giudice

If, at first glance, we see a balance that seems to generate a relationship between forces, so that the element in which they act may be liquid or ethereal, atmosphere or amnion, it is surprising, then, to observe carefully, evocative of what may result from these works of Joseph Tomasello. Signs and colors that are not associated with composing a shape, line rhizomes air, panting nymphs, fixed ramp towers as examples of heraldry blue or zoomorphic, spores or taken by erupted tenuous filaments and untamed as the orbits along which carry or slip. Balance, therefore, of chromatic surfaces where the potential structures or signs inscribed Algor and subliminal images without referring to previous figures (you find them, if you go) to go, then, beyond them, the islands themselves, as these islands sidereal constellations and molecular aspects of the same universe that always demands to be taken a bit 'more into account in our celebrations and invective.

White, black, blue, purple, red, ocher, yellow, intertwine and interpenetrate as lines crossing them in thin connections, furniture textures where a color is superimposed on or is exempt from a background where it provides its thickness without vibrato without resonances. The colors include in themselves, in their shades and variation of the effects of consistency, their material status, from time to time, fibrous or smooth, rough or smooth, the dimensions that define the space. Excavated, carved, shaped to find in them the nature of the sign as a graphic appear to reflect the greater or lesser degree without join or filter the energy that circulates in a continuous fixed to the sequences of an escape from space.

is therefore that the lines do not belong to subsidence geometries, but they are an active part of the masses of color, determine or share - more than pointing out the limits of action and value - of bottom friction and the dynamic constants. Rather, lines and colors are read as lines on a hand of fate - one that placed them in an order that no distinction, if not after the fact (to the eye). You take them back genealogies as tiny, so remote a prologue, that nothing can sorting, colors and brands that do not belong under them in a particular note or in a landscape - as a blatant it is, first of all, tactile, rather than visual, which is the density of color, before a given color.

On the other hand: the path, you can find, if not the destination or starting, directions and diversions, the compact segment will recognize the strength of the pulse or rigor that controls it; out of touch with which it is calibrated, by writing short, you can go back to the gesture, but the mark remains over the size of the figure or shape emphasizes a melting point of the warm colors or condensation the cold - combined with much elegance. Joseph Tomasello is careful, therefore, to capture the cadences, rhythms that aggregate to satisfy the scenario of the canvas - as from the depths of consciousness (if the canvas is not enough), but without exhausting projections and folds effusive.

will be clear then that such a rigorous process presupposes or invokes emotions 'basic' or waiting to occur at some height placed at distances that are not made of space, stops that do not live in the vicinity of the tensions that, if anything, animate, but the results of the painterly gesture that opens the space in the act of placing it beyond the measures of perception and experience, so rejects any analogy. And these islands, their contours and configurations, as there are places, though not codified or found elsewhere, nodal points through which to filter or condensation a vacuum, a space that acts as a balance break through it.

PROJECT 3
's a project Nextl'ink
www.nxtlink.it

opening of the exhibition Sunday, March 13, 2011 19:30

Al Kenis
Via Roma, 187 Enna
Times: Tuesday - Sunday 14-01
UNDO.NET

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